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found 5 book(s). | Modify Search | Displaying 1 - 5 of 5 book(s) | |
| 1. |  | Title: Erotic faculties  Author: Frueh, Joanna Published: University of California Press, 1996 Subjects: Art | Gender Studies | Women's Studies | Literary Theory and Criticism | Art Theory Publisher's Description: The erotic and the intellectual come together to create a new kind of criticism in the lushly written work of Joanna Frueh. Addressing sexuality in ways that are usually hidden or left unsaid, Frueh - a noted performance artist and art historian - explores subjects such as aging, beauty, love, sex, pleasure, contemporary art, and the body as a site and vehicle of knowledge. Frueh's language is explicit, graphic, fragmented. She assumes multiple voices: those of lover, prophet, daughter, mythmaker, art critic, activist, and bleeding heart. What results is an utterly original narrative that frees us from the false objectivity of traditional critical discourse and affirms the erotic as a way to ease human suffering.Through personal reflection, parody, autobiography, and poetry, Frueh shows us what it means to perform criticism, to personalize critical thinking. Rejecting postmodern, deconstructed prose, she recuperates the sentimental, proudly asserts a romantic viewpoint, and disrupts academic and feminist conventions. Erotic Faculties seeks to free the power of our unutilized erotic faculties and to expand the possibilities of criticism; it is a wild ride and a consummate pleasure. [brief] Similar Items |
| 2. |  | Title: A fable of modern art Author: Ashton, Dore Published: University of California Press, 1991 Subjects: Art | Art History | Art Theory | Intellectual History Publisher's Description: Dore Ashton's masterly analysis of modern art grows out of a consideration of Balzac's brilliant and little known 'philosophic' story The Unknown Masterpiece in which the concerns of Cézanne, Picasso, and the abstract expressionists are strikingly prefigured. Balzac's fable is discussed not only within the context from which it emerged - early nineteenth-century romanticism - but also in its embodiment of various attitudes towards art. Ashton illuminates a web of associations linking Balzac to Cézanne, Rilke, Schoenberg, Kandinsky and Picasso as they struggle with the yearning to express the inexpressible, to make concrete the abstract.As Professor Ashton develops the conjectures of her book she reveals the interrelations of literature, music, and art and the basic problems which engage or beset the contemporary artist and those who seek to understand and appreciate contemporary art. This is a book of extreme originality which ranges so widely and offers such valuable insights that it forms an important contribution not only to the history of art and culture, but also to the history of ideas. [brief] Similar Items |
| 3. |  | Title: Late modernism: politics, fiction, and the arts between the world wars Author: Miller, Tyrus 1963- Published: University of California Press, 1999 Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | History Publisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer ; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity. [brief] Similar Items |
| 4. |  | Title: The philosopher's gaze: modernity in the shadows of enlightenment Author: Levin, David Michael 1939- Published: University of California Press, 1999 Subjects: Philosophy | Gender Studies | Art History | Art Theory Publisher's Description: David Michael Levin's ongoing exploration of the moral character and enlightenment-potential of vision takes a new direction in The Philosopher's Gaze . Levin examines texts by Descartes, Husserl, Wittgenstein, Nietzsche, Heidegger, Benjamin, Merleau-Ponty, and Lévinas, using our culturally dominant mode of perception and the philosophical discourse it has generated as the site for his critical reflections on the moral culture in which we are living.In Levin's view, all these philosophers attempted to understand, one way or another, the distinctive pathologies of the modern age. But every one also attempted to envision - if only through the faintest of traces, traces of mutual recognition, traces of another way of looking and seeing - the prospects for a radically different lifeworld. The world, after all, inevitably reflects back to us the character, the reach and range, of our vision.In these provocative essays, the author draws on the language of hermeneutical phenomenology and at the same time refines phenomenology itself as a method of working with our experience and thinking critically about the culture in which we live. [brief] Similar Items |
| 5. |  | Title: Singular women: writing the artist Author: Frederickson, Kristen 1965- Published: University of California Press, 2003 Subjects: Art | Art History | Art Criticism | Art Theory | Women's Studies Publisher's Description: In this groundbreaking volume, contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers. [brief] Similar Items |